Stage Version of TV's Green Acres Aiming for Broadway



A stage musical version of the popular 1960s television series Green Acres is being aimed for Broadway, according to published reports.

A first draft of the musical's book has been written by Richard L. Bare, who directed over 150 episodes of the classic sitcom. A second draft is being worked on by Richard Chapman, of the production company Hemisphere Two, and E. Jack Chapman.

No composer, lyricist, director, casting, or timeline for the production have been announced.

The popular series ran for six years on CBS and starred Eddie Albert and Eva Gabor as a New York City couple who move to a rural farm in order to fulfill his dream of becoming a farmer.


Bobby Rydell, 1960s teen idol, undergoes double transplant



Sixties teen idol Bobby Rydell has undergone a liver and kidney transplant in Philadelphia.

The 70-year-old singer, whose hits include "Wild One" and "Volare," had surgery last week. He tells KYW-AM  that his doctor didn't expect him to live much longer without the double organ transplant.

Doctors at Thomas Jefferson University Hospital say they were able to use part of the donor liver to help Rydell and the other part to help a child.

Rydell says he now wants to help raise awareness about organ donation. He expects to be released from the hospital Wednesday.


On Sunday night


On Sunday night, I’m going to see the HAPPY TOGETHER TOUR 2012

THE TURTLES featuring FLO & EDDIE
THE MONKEES LEAD SINGER
MICKY DOLENZ
GARY PUCKETT & THE UNION GAP
THE GRASS ROOTS
THE BUCKINGHAMS

I’m excited, I have great seats, I’ll tell you all about it on Monday

Unheard songs by sixties band The Fortunes found in trunk



The Pritchard brothers aim to re-release some of the music found on the tapes in the trunk
Unreleased songs by the Birmingham band The Fortunes have been discovered in a trunk in an outhouse.
The group had success in the UK and the US during the sixties and seventies with tracks including You've Got Your Troubles and Here it Comes Again.
The three sons of guitarist Barry Pritchard, who died in 1999, found tapes containing 150 unheard songs.
Steve Pritchard said: "We just couldn't believe some of the stuff we were hearing once we managed to play it."
The trunk was found in an outhouse at Steve's house in Tamworth.
Along with his brothers, Nick and Sean, they took the reel-to-reel tapes to BBC engineers at the Mailbox in Birmingham who put the tracks on to CDs for them.
"It's tremendously special for us, it's something else to remember him by," said Nick.
'Pulled on heartstrings'
What we want to do now, because we're so blown away by the material, is to get it out there for his legacy and for other people to enjoy the music."
That process has already begun with the track Everybody Needs A Dream, which was written by Barry Pritchard and originally performed by bandmate George McAllister.
The brothers have asked Wolverhampton harmony band D'votion to re-record the song and make it available as a digital download.
D'votion lead singer Paul Smith said: "The past history and story of the song pulled on our heartstrings."
"We didn't know much about the Fortunes, we'd heard the name, but we went on to YouTube to find as much material as possible and thought wow, they sound like us but in the seventies."
The song has been released as an unofficial Olympic & Paralympic anthem, and had its first ever play on the BBC WM Introducing show on Saturday.
Pritchard said: "I think Dad would be delighted with what we're doing with the song. He'd be absolutely blown away because he loved vocal harmonies."
The Fortunes originally formed in Birmingham in the early sixties and first came to prominence when pirate radio station Radio Caroline adopted their single Caroline as a theme tune.
After a lull in the mid-sixties, they reinvented themselves in the seventies and had chart success in the UK with tracks including Freedom Come, Freedom Go and Storm in a Teacup.
The band, which now includes Coventry musician Bob Jackson, still tours and plays live around the UK.

Gary Puckett and the Union Gap coming to Conway, Arkansas



Sixties American pop group Gary Puckett and the Union Gap will be performing on Thursday, November 1, 2012 at the Reynolds Performance Hall at the University of Central Arkansas in Conway, Arkansas. The show starts at 7:30 p.m. and is part of the Pops Series at the Reynolds Performance Hall.
Gary Puckett and the Union Gap had several top ten hits in the late sixties, including “Woman, Woman,” “Young Girl,” “Lady Willpower” and “This Girl is a Woman Now.” The band had several singles certified gold in the sixties, and they were nominated for a Best New Artist Grammy in 1969. For more information on the band, go to garypuckettmusic.com.
Tickets for Gary Puckett and the Union Gap at the Reynolds Performance Hall in Conway go on sale August 13, 2012. For more information, go to uca.edu/publicappearances/.



Sam Cooke and Ali

Deep Purple's Jon Lord dies at 71


Jon Lord co-wrote many Deep Purple hits including Smoke On The Water

Jon Lord, the former keyboard player with heavy rock band Deep Purple, has died aged 71.

Lord co-founded Deep Purple in 1968 and co-wrote many of the group's songs including Smoke On The Water. He also played with bands including Whitesnake.

He had been receiving treatment for pancreatic cancer since last August.

He died at the London Clinic on Monday, surrounded by family, a statement said. "Jon passes from Darkness to Light," it added.

Lord was influenced by classical, blues and jazz but played his Hammond organ with a rock attitude and helped Deep Purple become pioneers of progressive and heavy rock.

Tributes have been paid by musicians including one-time Deep Purple bandmate Joe Satriani, Iron Maiden and Anthrax.

Ex-Rage Against the Machine star Tom Morello wrote on Twitter: "RIP the great Jon Lord, Deep Purple's cornerstone/keyboardist. So many great great songs and that incredible SOUND of his! Thankyou."

Former Yes keyboard player Rick Wakeman was a friend and said he was "a great fan".Lord's Concerto for Group and Orchestra was performed at the Royal Albert Hall in 1969

"We were going to write and record an album before he become ill," he said. "His contribution to music and to classic rock was immeasurable and I will miss him terribly."

Born in Leicester, Lord learned classical piano at an early age before being seduced by watching early rock 'n' roll star Jerry Lee Lewis and jazz organist Jimmy Smith.

He could have chosen a career as an actor after receiving a drama school scholarship, but started playing in pub bands including short-lived outfits with future Rolling Stones star Ronnie Wood and his brother Art.

He also worked as a session musician and is thought to have played piano on The Kinks' hit You Really Got Me.

After meeting guitarist Ritchie Blackmore through another project, the first incarnation of Deep Purple was born.

Lord's classical influence surfaced when Lord composed Concerto for Group and Orchestra, which the band performed with the Royal Philharmonic Orchestra at the Royal Albert Hall in 1969.

But the group refined their heavy rock sound and found mass success at the start of the 1970s with albums including Deep Purple in Rock and Machine Head.

In their classic years, the band also included Blackmore, singer Ian Gillan, drummer Ian Paice and bassist Roger Glover.

Lord continued to compose classical works alongside the group's output and, when they split in 1976, he joined other groups Whitesnake and Paice, Ashton and Lord.

Deep Purple reformed in 1984 and resumed at the height of their commercial prowess, playing to tens of thousands of fans around the world.

They sold a total of 150 million albums and Lord remained an ever-present amid numerous line-up changes until he left in 2002.

Still composing, he had signed to a classical music label and performed a concert to mark the 30th anniversary of Concerto for Group and Orchestra.

"Thirty years later the piece came back and changed my life again... It gave me the courage to step outside and carve a career for myself outside the band," he told an interviewer.

He broke the news of his cancer diagnosis on his website last year, telling fans he would continue to write music as part of his therapy.


Older Now

Rowan and Martin's Laugh In

That Girl
                                               The Carol Burnett Show

I Dream of Jeannie
                                       The Dick Van Dyke Show




Bonanza, Johnny Carson, and the Greatest 60′s TV


Jay Sage: Yes, a few weeks ago we touched upon the 1950s in television when a bunch of well-known genres were just beginning to pick up steam. In the 60s, the TV medium ceased to be a novelty and blossomed into a life of its own. Even though cable still hadn’t come along, a wider variety of shows emerged, reflecting both the old school and new wave “hippy” sensibilities of the day.

Feldman: The first show that comes to mind for me is The Andy Griffith Show which began in the fall of 1960 and lasted until 1968. The recently departed Andy Griffith starred as a small town sheriff and was paired with goofy comedian Don Knotts for a long series of comedic situations.

Sage: Of course, we have to mention that just a few days ago the entertainment industry lost Andy Griffith at the ripe old age of 86. These things come in pairs or triplets sometimes, and just the other day Ernest Borgnine who starred in McHale’s Navy, another classic of the 60s, passed away at 95.

Feldman: Borgnine had an incredibly long and full live, so its hard to be too sad by his passing. With the 1960s came the advent of color television which was difficult for some people to comprehend in the early going. The Beverly Hillbillies, beginning as a black and white production still became the biggest show on TV from 1963-1965.

Sage: It was a rags to riches story that most people could relate to their own personal desires, as well as being pretty funny too. In fact, the modern 3-Camera sitcom really took off in this era. As opposed to the entirely “wholesome” variety of show, you saw slightly more peculiar or fantastical ideas cropping up, like Bewitched and The Addams Family.

Feldman: The 1950s was a return to family sort of show, along with more historical based plots like Westerns. The 1960s really stepped out of the box to move along with supernatural, and super silly styles. It was also the expansion of the late night talk show with the legendary Johnny Carson getting his start in 1962 on The Tonight Show.

Sage: And you can see the footprints of Carson everywhere stylistically. Not only in Jay Leno who took over on The Tonight Show, but David Letterman, Conan O’Brien, Jimmy Fallon, Ellen DeGeneres, and even Oprah all owe their careers to the success of The Tonight Show. It can be estimated that traditional talk shows are just now going out of vogue for the late night audience, but five decades is nothing to sneeze at.

Feldman: Carson was a legendary entertainer, comedian, and wunderkind at practically everything he touched. He carried the Tonight show and the NBC network for 30 years. One show we haven’t mentioned that rather bucked the trend of the 60s was Bonanza (which did begin in 1959) that was a Western show, but in color.

Sage: Bonanza actually spanned three decades from 1959 to 1973, which not many television shows can claim. It was famous for having the typical intrigue of a Western show while also tackling some social issues that nobody really expected from such a typically hypermasculine forum. Included were socially conscious views on racism and anti-semitism.

Feldman: It was one of the first shows to really try to work real world contemporary hot button issues into its own storyline. It was eminently popular and was the most watched show from 1965-1968. While the Western genre clearly remained in the mainstream, science fiction began to really gain traction in 1966 and never looked back with Gene Roddenberry’s Star Trek.

Sage: These days, it’s comical to look back at the low production values of the original Star Trek series, but when you consider what they set the table for it’s harder to make fun. Also extremely popular was The Twilight Zone which ran from 1959-1964 and crossed borders between science fiction, horror, terror and fantasy. Those are still fun to watch.

Feldman: The Twilight Zone was one of the first episodic shows to not feature regular cast other than host Rod Serling. It was definitely a new genre for TV viewers to explore and given its timing with the onset of the cold war, it certainly pushed some buttons. I must jump back to Star Trek for a short while, billed as the “Wagon Train to the Stars”. It served as a futuristic soap box to tackle contemporary issues without real worry for offending anyone. Plus spaceships are just awesome and it is hard to deny that “Live Long and Prosper” isn’t an awesome sendoff.

Sage: Star Trek also stands as the first program to ever be saved by its fans. It was set to be cancelled after its second season before a letter writing campaign convinced network executives otherwise. Those Trekkies are still as passionate as ever, of course, in a perpetual battle with the Star Wars franchise. And you’re right that spaceships are awesome. And so are aliens. One last show I want to mention is The Flintstones. Animation had existed for a long time, but the idea to produce an adult sitcom instead of Saturday morning kids’ cartoons was a novelty.

Feldman: It was really an ingenious idea to cut down on production costs, while expanding their range of possibiliites for story lines. It was the precursor to so many cartoon TV sitcoms like The Jetsons, The Simpsons and Family Guy. It borrowed the large husband with attractive wife trope from the Honeymooners while adding kids and a dinosaur to the mix.

Sage: And animation is so successful in comedy because you can accomplish literally anything with a drawing. You wouldn’t have seen a comedy set in prehistoric times as a live action production in the 60’s because the technology didn’t exist yet. Today, you have everything from the extremely low budget South Park to the deftly produced Archer, but they all share one thing in common – that is, you can do whatever you want.

Feldman: You can do whatever you want, and we talk about whatever we want on The Entertainment Bureau. That’ll do it for this edition but be sure to check back for our next episode in this series where we tackle the massive task of breaking down music of the 1960’s into a readable article rather than a 10,000 word dissertation.